Book Reviews

Our reviews of the latest in literature

Today

Damian Thompson Damian Thompson

Damian Thompson, Paola Romero, Stuart Jeffries, Ysenda Maxtone Graham, and Nicholas Farrell

35 min listen

On this week’s Spectator Out Loud: Damian Thompson argues that Papal succession plotting is a case of life mirroring art (1:26); Paola Romero reports on Venezuela’s mix of Evita and Thatcher, Maria Corina Machado, and her chances of bringing down Nicolas Maduro (11:39); reviewing Richard Overy’s book ‘Why war?’, Stuart Jeffries reflects that war has as long a future as it has a past (17:38); Ysenda Maxtone Graham provides her notes on party bags (24:30); and, Nicholas Farrell ponders on the challenges of familial split-loyalties when watching the football in Italy (27:25).  Presented by Patrick Gibbons.

Wednesday

Sam Leith Sam Leith

Neil Jordan: Amnesiac

47 min listen

Sam Leith’s guest on this week’s Book Club is the writer and film director Neil Jordan, who joins the podcast to discuss his new book Amnesiac: A Memoir. He talks, among other things, about writing for the page and the screen, the uses of myth, putting words into the mouths of historical figures, seeing ghosts in aeroplanes, being ripped off by Harvey Weinstein, and failing to persuade Marlon Brando to play King Lear. 

Tuesday

Ian Birrell

The new alliances dedicated to destroying democracy

After staging a failed coup and going to prison, the Venezuelan army officer Hugo Chavez ran to be president in 1998, campaigning against corruption and offering revolutionary change. His nation was seen as a prosperous beacon of stability, built on its great oil wealth, envied by many people elsewhere in the region. He won by promising to tackle the inequality that scarred it so badly and take on the oligarchs enriching themselves through favours and nepotism. Western celebrities, journalists and politicians, from Sean Penn through to Jeremy Corbyn, started flocking to South America to hail their new progressive hero supposedly fighting for social justice. As Venezuela slid to ruin, Russian

Stuart Kelly

Doomed to immortality: The Book of Elsewhere, by Keanu Reeves and China Miéville, reviewed

One of the first things I was taught in literary theory was to look for supposed rhetorical rather than logical opposites and unravel them. It works well with ‘the opposite of cat’. Cartoons show this can be either mouse or dog. The Book of Elsewhere, based on the comic BRZRKR, poses something similar with metaphysics. The protagonist, B., or Unute, has a narrative arc quickly summarised as ‘I kill, I die. I come back’. What is the opposite of B.? He is not alive in a way we understand, but he is not dead, or a zombie; he is not undying, and time alone will tell if he is immortal.

Suzi Feay

Mother of mysteries: Rosarita, by Anita Desai, reviewed

There are other reasons beyond shortage of time (the acclaimed Indian novelist Anita Desai has just turned 87) to write a novella; the genre is as attractive and prestigious as it is fashionable. The deceptively slender format can briskly encompass whole worlds and histories, or alternatively, like the short story, depend on strict excisions and limitations for its effects. Rosarita does both. A young woman, Bonita, addressed as ‘you’ throughout, is taking time out from her Spanish-language studies and relaxing on a park bench in the historic centre of San Miguel de Allende, Mexico. Education has been her means of escape from the domineering family structure back in India that

Julie Burchill Julie Burchill

The power of the brown American diva

‘Please don’t let this be a scolding!’ I thought as I moved past this book’s tempting title to read the author’s bio, noting that she is ‘the chair of the Writing Programme at Columbia University’. Sure enough, the very first line of the prologue – ‘The sound of a diva’s voice was how I knew we were Mexican’ – made me fear that this might be the case. Funnily enough, my mother was also fond of the diva in question, Vikki Carr – especially the sob-fest ‘It Must Be Him’ – and my family weren’t Mexican as far as I know. My scolding radar flared up even further on seeing

David Profumo

‘I am haunted by waters’: Norman Maclean and his lyrical ‘little blue book’

Although in his later years Norman Maclean was renowned for his nuanced and often lyrical autobiographical novella A River Runs Through It (subsequently filmed by Robert Redford, and known in angling circles – with mixed feelings – simply as ‘The Movie’), by all accounts he could be forbidding and ornery in person. He informed one Hollywood shyster: ‘When we had bastards like you out west we shot them for coyote bait.’ The novelist Pete Dexter once described him as ‘an old man who obviously takes no prisoners, looking at you as if you’d just invented rock’n’ roll’ – and that was only from a photograph. There are indeed some moody

John Niven

Born in the USA: how Bruce Springsteen’s 1984 album bridged the American political divide

In 1977, in the wake of the death of the king of rock’n’roll, the American journalist and music critic Lester Bangs said: ‘We will never again agree on anything like we agreed on Elvis.’ The ‘we’ was America. And Bangs was right – until June 1984, when Bruce Springsteen released Born in the U.S.A. The album’s blend of synths, guitars and colossal drums would vault Springsteen into stadiums. It went on to sell 17 million copies, and for a time made its creator the biggest rock star in the world. Steven Hyden looks to trace who Springsteen was before this moment, what happened to him during it, who he became

Viv Groskop

No laughing matter: The Material, by Camille Bordas, reviewed

There are a lot of reasons why something is funny. It’s hard for everyone to agree on those reasons. And it’s virtually impossible to agree on whether something is actually funny or not in the first place. But one thing is incontrovertible: the more you unpick, analyse and dissect comedy, the less funny it becomes. So what is left behind after that? Into this tricky arena – cue tapping on microphone and feedback noise – steps this experimental and sometimes infuriating novel. The Material is, to its credit, fluid, inventive and often, yes, funny. But it’s also confusing and challenging in ways that don’t always feel intentional. It describes a

Stuart Jeffries

The futility of ever hoping to give peace a chance

‘War – what is it good for?’ asked Edwin Starr on his 1970 single of the same name, before answering his rhetorical question:   ‘Absolutely nothing.’ In this, Starr was not only excoriating America’s contemporary folly in Vietnam. He was implicitly endorsing the philosopher Immanuel Kant’s recommendation that humanity could and should trade up from endless war to perpetual peace, and the anthropologist Margaret Mead’s suggestion that war was not natural to our species. In 1940 she wrote: War is just an invention known to the majority of human societies, by which they permit their young men either to accumulate prestige or avenge their honour or acquire loot or wives or

Justin Marozzi

Tall tales of the Golden East: the fabulous fabrications of two 20th-century con artists

Have literary deceit and spiritual self-invention ever been this entertaining? The question arises on almost every page of this galloping exposé of two men who were exceedingly relaxed about not telling the truth throughout their professional lives. They would have called it ‘storytelling’. Those who questioned the reliability of their often outlandish claims were dismissed as academic nonentities. One minute Ikbal’s journey across the Middle East was 15,000 miles, the next it was 25,000 miles Sirdar Ikbal Ali Shah was the great-grandson of Jan Fishan Khan, a 19th-century Arab nobleman who had supported the British in Afghanistan and been rewarded with an Indian title, palace and pension. Ikbal failed to

Francesca Peacock

Making the fur fly: Mary and the Rabbit Dream, by Noémi Kiss-Deáki

Mary Toft seems to be having something of a moment. The English 18th-century peasant who stunned society with her claim to have given birth to rabbits has been the focus of a suite of recent books, including Dexter Palmer’s Mary Toft, or the Rabbit Queen (2019) and Karen Harvey’s The Imposteress Rabbit Breeder (2020). There was even a nod to Toft in the 2018 film The Favourite. Queen Anne, played by Olivia Coleman, had 17 rabbits, one for every child she’d miscarried – a reference to Toft’s 17 ‘miraculous’ rabbit births. It’s not hard to see why Toft’s grotesque story still captivates us. In 1726, a poor young woman in

Susie Mesure

The hunt for the next Messi: Godwin, by Joseph O’Neill, reviewed

Those who remember Joseph O’Neill’s brilliant novel Netherland, which featured a multicultural cricket club and was set in post 9/11 Manhattan, will assume they know what they’re getting with Godwin, which purports to be about the hunt for the next Messi. A video file of an African teenager with legendary ball skills is circulating far from his homeland, wherever that may be. All that Mark Wolfe, ‘a blond, rangy man in his late thirties’ who works for a technical writing co-operative, needs to do is to help his half-brother, Geoff, a hapless young football agent, track down ‘Godwin’ – if indeed that is the boy’s real name. ‘True, I don’t

Frank Lawton

Why Joni Mitchell sounded different from the start

What makes Joni Mitchell’s music special? The lyrics alone put her on 20th-century music’s Mount Rushmore, alongside her cultural mirror Bob Dylan and her brief lover Leonard Cohen. But for me it’s her phrasing, her tunings and her sense of time. Decades on, her music remains endlessly surprising. Think a line is going in a certain direction? Think again, as Mitchell bends it away; or shifts key; or arcs her voice into its celestial sphere, only to suddenly plummet, like a plane in turbulence. And yet the swerves feel somehow right, inevitable.  Enlisting the help of jazz greats from Wayne Shorter to Herbie Hancock, Mitchell invented her own musical grammar:

Saturday

Kate Andrews Kate Andrews

Kate Andrews, Adam Frank, David Hempleman-Adams, Svitlana Morenets and Michael Beloff

40 min listen

On this week’s Spectator Out Loud: Kate Andrews argues vice-presidential nominee J.D. Vance is more MAGA than Trump (1:27); Adam Frank explains how super-earths could help us understand what life might look like on another planet (5:15); David Hempleman-Adams recounts his attempt to cross the Atlantic on a hydrogen ballon (14:31); from Ukraine, Svitlana Morenets reports on the battle to save Kharkiv (20:44); and, Michael Beloff takes us on a history of the Olympics (30:12).  Presented by Patrick Gibbons.  

Wednesday

Sam Leith Sam Leith

Roger McGough: Collected Poems 1959-2024

35 min listen

My guest in this week’s Book Club podcast is Roger McGough, whose new The Collected Poems: 1959-2024 anthologises a poetic career 65 years long and counting. Roger tells me about revisiting his old work and making it new, why he’s ‘not being serious’ about the future of Poetry Please, and how he narrowly missed being on the Pyramid Stage at Glastonbury. 

Tuesday

Julie Bindel

A David and Goliath battle involving a billion-dollar pornography website

Laila Mickelwait’s Takedown describes in fascinating and often distressing detail both why Pornhub, the Canadian-owned internet pornography video-sharing website, needs to be destroyed and how this might be achieved. It’s not the story of a movement against the porn industry, like the one I have been involved with for decades, but more a woman’s lone, Erin Brockovich-like crusade to shut down a major distributor. The book relates how, through investigative journalism, Mickelwait discovered that one of the world’s biggest websites was knowingly profiting from sex trafficking, and reveals her subsequent fight to hold Pornhub accountable for its distribution and monetisation of child sexual abuse and rape. She is the founder

Duncan Fallowell

‘I’m a hypocrite and a total fraud’ – the confessions of a French Surrealist poet

Michel Leiris (1901-90) was one of those intellectual adventurers who are the astonishment of French literature in the 20th century. Their achilles’ heel is that most were communists, in a few cases Nazis; and nothing kills the life of the mind more thoroughly than preaching. Their saving grace is that many were eccentric characters, and their autobiographical work can often be their most luminous legacy. Among Leiris’s subjects are his dogs, his ideal hotel, his hatred of Wagner, his Anglophile snobbery and his tailor Because they were anti-form, the ideal prose vehicles became ‘aphorism’ or ‘fleuve’. The most brilliant of the French aphorists, Emile Cioran (though he was Romanian), exclaimed

Michael Arditti

In search of kindred spirits: An Absence of Cousins, by Lore Segal, reviewed

In Lore Segal’s An Absence of Cousins, Nat Cohn, a fellow at the Concordance Institute, a small college in Connecticut, browses through a children’s novel during a staff meeting and exclaims: ‘We don’t write stories like this any more. Chronic plot deficiency is our problem.’ The problem for contemporary novelists is that tightly woven plots of cause and effect belie the way their readers experience the world. Like her compatriot Elizabeth Strout in Olive Kitteridge and Olive Again, Segal addresses it by featuring a single protagonist, Ilka Weisz, a young Austrian émigrée, and various recurring subsidiary characters, in a series of closely interlinked stories. Many of these first appeared in

Helen Carr

Margaret Tudor – queen, regent and hapless intermediary

The history of princesses and queens has become well-trodden ground in the women’s history genre, particularly the Tudors. Linda Porter’s The Thistle and the Rose, a life of Margaret Tudor, queen consort to James IV and mother of James V, provides a refreshing change in subject. Margaret has had to share the stage with some of the most famous names and voices of the 16th century: Henry VII and his queen, Elizabeth of York; Henry VIII and his wives; and, of course, her namesake, Margaret Beaufort, the formidable Tudor matriarch who deftly helped place her son, the victor of Bosworth, on the throne. Margaret Tudor, though less considered in popular